Showing posts with label old school recording. Show all posts
Showing posts with label old school recording. Show all posts

Wednesday, February 12, 2014

Video of the day 12th of February 2014


Stephen Hawking in zero gravity. Look at that smile!
So smart and still no gravity. Makes you think.

Yesterday I posted a video from the Carl Hasselrot sessions recording the wonderful Juno 106. This is a synth that I havent used too much but Im using it more and more.

This little film is from the latest Akaba sessions. Roth Händle veteran Tobias Ljungkvist doing his thing and trying to sneak in a pitchbend. A messy one too.

Today Ill be mixing another track for the all Optigan/Mellotron/Chamberlin/Orchestron album. 
Its a really fun track with a slight Tim Burton edge to it.

I Think.


That sounds a lot more interesting than the truth right?


A bit too violent but still pretty happening.


Now...thats just sad, isnt it?





Thursday, January 16, 2014

Book review: The Wrecking Crew - Kent Hartman




Over the last couple of days I have been reading the book you can see above. Can you see it? It looks great. The book is about a group of famous studio musicians in Los Angeles during the 60s known as the Wrecking crew. Some of the musicians in the "group" were Hal Blaine (drums), Glen Campbell (guitar) Tommy Tedesco (Guitar), Leon Russell (piano) and the remarkable Carol Kaye (Bass). All in all it was a group of 20 - 25 musicians that more or less played on all of the recordings. They became the producers favorite musicians and got hired to play on more or less all of Brian Wilsons and Phil Spectors recordings. Some of the artists they recorded with were the Mamas and the Papas, Monkees, Simon & Garfunkel, The Byrds (Mr Tambourine man), Dean Martin, Frank Sinatra, Sonny & Cher and many many more.

This was in the era of the Pop orchestra where you would have three or four guitarists, two or three bass players, three keyboardplayers, one drummer and additional percussionists and then there might be strings and horns on top. The idea was to get the mix of the instruments right in the room before committing to tape. Quite the opposite than how people work today where everything is more or less recorded separately.


The amazing Carol Kaye. 
This is the woman who plays those first notes on Wichita Lineman, 
one of my favorite songs of all time.

For fans of Spector, Jimmy Webb and Brian Wilson the book is definitely a good inspirational read. I would of course have loved to have maybe more in depth details about the recordings but the focus is more on the fact that how this relatively little anonymous group played on more or less all of the recordings and who they were. This makes the book obviously a lot more accessible for people who are not musicians, producers, studioowners or recording nerds.  

One thing that is not that great is that 25% of the book is footnotes at the end so it ends kind of weird.

If you are curious to find out more about these amazing people check out youtube for clips and interviews. I did it a couple of times while reading and hearing their voices and seeing the people in real life makes all the difference.

I give this book the rating of two blue flamingos, a half eaten sandwich and a santa claus Pez.


Sorry about the overdosing on Carol Kaye pictures but she just looks toooo cool.

NP: Stumbleine - Smashing Pumpkins